Plautus Truculentus
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Plautus Truculentus
May 21, 2012 - Recitation by Reginald Foster of Plautus, Truculentus IV, 3, 33-36 with his own English rendering of this bit of wisdom. [Titus Maccius Plautus; Centre Traditio Litterarum Occidentalium.] Home. WorldCat Home About WorldCat Help. Search for Library Items Search for Lists Search for Contacts Search for a Library. Create lists, bibliographies and reviews: or Search WorldCat. Find items in libraries near you.
Plautus Truculentus Translation
Truculentus but he admits that nevertheless he is too weak to resist her. He is also well informed of Phronesium’s plan to swindle Stratophanes out of money; since he has never seen her pregnant, he himself knows the truth. The next scene is a dialogue between Diniarchus and Astaphium, Phronesium’s main servant. Astaphium is presented as a ruthless woman who is very unfriendly toward Diniarchus as long as she believes him to be bankrupt but who turns polite again as soon as he states that he still has money left. Diniarchus is further characterized as a sexually voracious man who had dealings not only with Phronesium, but also with Astaphium and with boys. When he mentions his money, he gets permission to go inside and see Phronesium, which makes him so happy that he is soon willing to play along and accept, in the face of all the evidence to the contrary, that Phronesium was pregnant and has now given birth.
Act divisions did not exist in Plautine comedy but did in the Greek models. Modern editors of Plautus follow the act divisions introduced during the Renaissance, which means that we have a lengthy second act (ll. 209–644); since the stage does not become empty after l.
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208, this modern act division cannot correspond to the one in the Greek original. A more suitable end for the first act in the Greek play would be after l. This division would give us a similar lack of balance because of a long first act and a short second act, but at least the stage is empty after l. If we follow the Renaissance act division, the second act starts with a monologue of Astaphium, who further expounds her philosophy of life and mentions a third lover 254. Truculentus of Phronesium, the young farmer Strabax. Strabax is uncouth and presumably ugly, as his Greek name means “squint-eyed,” but he is held in high esteem because of his wealth. In addition to a country residence, his father owns the house next to Phronesium’s.
When Astaphium goes over to check if Strabax is in town, she is worried that she might meet Truculentus, a slave owned by the father of Strabax. It is indeed Truculentus who answers the door, and he does credit to his name, which means “savage” or “uncivilized”: he is rude and unfriendly toward Astaphium because he feels that Phronesium is damaging Strabax both morally and financially, his speech is full of rural imagery, and he cannot avoid a number of malapropisms. In short, he is a caricature of the character typical of previous generations and glorified in other literary genres. The irony is that he is a slave rather than a freeborn citizen. Yet despite all his blustering and verbal aggression, he cannot entirely hide his admiration for Astaphium’s beauty (l. Equally interesting is the fact that he mishears or misunderstands Astaphium several times, and that each time Astaphium’s innocuous words are given an obscene twist by an apparently outraged Truculentus.